Accolades
Rotting Piñata
(2015) Nashville Scene named Hough's Rotting Piñata solo installation as one of their six favorite exhibits ever at the Ground Floor Gallery during its 8-year run. Hough's work was also displayed in another one of their favorite picks, "The Artist’s Alphabet"
Stopping Soon
(Ground Floor Gallery, "The Artist's Alphabet", 2015)
Nashville Scene's, Erica Ciccarone, considered Hough's Stopping Soon as "perhaps the work that affected me most" in the Artist's Alphabet Exhibit (2015) at the Ground Floor Gallery. "Hough's Stopping Soon, a wall sculpture so truly ugly that I haven’t been able to shake it since I saw it last week. It’s part of a series about the underuse and overuse of the body and its aesthetic decay. The sculpture, made from insulation foam, panty hose, and acrylic, disturbed me precisely because I am unused to viewing bodies in states of decay and disuse; I’m uncomfortable with the eventual facts of the body, and the series’ title, "Stopping Soon," makes it seem all too inevitable. Kudos to Hough for getting under my skin with this piece."
"Research is shaping the undergraduate experience"
source: Print and web. Vanderbilt University 2014 (news.vanderbilt.edu/2014/05/06/research-shaping-undergraduate-experience/)
"Desiré Hough, a senior studio art major from Bethlehem, Pa., is proof that scientific pursuit can inspire creative output, sometimes in surprising ways. She spent three years as a research assistant in Associate Professor of Medicine Jay Fowke’s lab, where she processed patient samples as part of a long-term study looking at how diet and obesity may affect prostate cancer risk.
The patient samples were anonymous, but after many hours spent working with them, Hough began to imagine the people they represented. Using objects found in the lab and materials such as clay and expandable urethane foam, she created sculpture depicting her idea of these patients in various states of repose. She called the collection Where the Samples Sleep.
“When I rearranged the figures into a vial tray, I saw a crowd, which intrigued me to further study collective energy: the power of a collection of samples vs. just one sample—how 15 years of research can tell you something that one sample alone cannot,” she said. “This idea grew into my senior project, Crowd Effervescence, where the energy of a gathering of people is depicted through a crowd-sized sculpture.”
For Hough, the creative process was sparked at the intersection of science and art. “Everything that’s created has roots in imagination,” she said.
“Scientific research begins with observation, then you use a little imagination to come up with your hypothesis. Art is a similar process, just more open-ended.”